The West as America: Reinterpreting images of the frontier, 1820-1920 Stationery it is hard to imagine

it is hard to imagine that Remington thought his original painting fell short of the mark and burned it along with more than one hundred other important works of art

Unframed Dimensions 12

" which clearly touches on the notorious Chief Blackbird's relations with traders

Here George Parish stayed overnight & changed horses on his way from Ogdensburg to Antwerp

The West as America: Reinterpreting images of the frontier, 1820-1920 Stationery it is hard to imagineAs American settlers pushed ever westward from 1820 to 1920, artists fleshed out the theme of inevitable expansion. This attractively illustrated study a tie in with a touring exhibition brilliantly reassesses Western and frontier art, demonstrating how such painters as Albert Bierstadt, George Catlin, Thomas Moran, George Caleb Bingham and Frederic Remington drew a veil over unsavory aspects of frontier life. Instead, the text argues, the artists