![Masahisa Fukase 1961-1991 Retrospective | Masahisa Fukase | Aka Aka 2023 [THIRD PRINTING] Adrian Loos a few scratches and discoloration](https://cdn.shopify.com/s/files/1/0039/3258/6048/files/DSCN7446cover.jpg?v=1721294601)
![Masahisa Fukase 1961-1991 Retrospective | Masahisa Fukase | Aka Aka 2023 [THIRD PRINTING] Adrian Loos a few scratches and discoloration](https://cdn.shopify.com/s/files/1/0039/3258/6048/files/DSCN7446.jpg?v=1721294601)
![Masahisa Fukase 1961-1991 Retrospective | Masahisa Fukase | Aka Aka 2023 [THIRD PRINTING] Adrian Loos a few scratches and discoloration](https://cdn.shopify.com/s/files/1/0039/3258/6048/files/DSCN7448.jpg?v=1721294601)
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a few scratches and discoloration
Light discoloring on the spine
such as "Yūgi (Homo Ludence)"
the garden
Masahisa Fukase 1961-1991 Retrospective | Masahisa Fukase | Aka Aka 2023 [THIRD PRINTING] Adrian Loos a few scratches and discoloration"I never think that I can capture a certain subject by taking a photograph of it. What is important for me is how deeply I can enter into it, and to what degree I can cause it to reflect me. I want the very act of looking through the viewfinder to be a flesh and blood action I strongly feel that photography can be freer, more open. I believe it is possible to relate to it in a way that encompasses my entire being." Masahisa Fukase, 1969 This book
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