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汪怡娉,火龍果與臺灣食蛇龜,2025,版畫、油墨、和紙,30x42cm。 曾怡馨 In Greek mythology

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Description

In Greek mythology

perpetuating a cycle of sadness

相較於對地景的直觀揭示,此作更聚焦於布幕掀起後的「視覺縫隙」。畫面中,被風揭起的簾幕與栗喉蜂虎的動態交錯,隱喻歷史記憶並非完整的敘事,而是由碎片與留白構成的連續體,在虛實之間建立了一種非線性的時間感。這不僅是對島嶼生態的記錄,更是一種關於「邊界」的哲學思考:在人造與自然、遮蔽與顯露的邊緣,生命如何自處?創作者在此不再試圖定義完整的島嶼風景,而是透過這些破碎的瞬間,捕捉那份存在於歷史褶皺中,既不安定卻又極其堅韌的生命力。一場關於感知邊界的探索,在縫隙中重構我們對土地的認知。

foreshadowing the beginning of a mysterious adventure

汪怡娉,火龍果與臺灣食蛇龜,2025,版畫、油墨、和紙,30x42cm。 曾怡馨 In Greek mythology

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