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and Gene Davis
you would get a double intensity of colour"
the test pattern
The painting’s meaning is created by the juxtaposition of the parts
Cut-up Paper I.4 Marcy Rosenblat and Gene DavisPedersen works with acrylic paint. When painting a composition, she tends toward a limited color palette, often reducing the composition to minimal, hard edged shapes on solid colored fields. The harmonies and tensions in the work arise from different relationships: those between the colors, the patterns, and the geometric and organic shapes.
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