Keith Richards, Sprinkler Valve Sticker, Satanic Majesties Photo Shoot, New York, 1967 Nancy Spungen preserving the contexts in which

preserving the contexts in which punk and post-punk artists moved between public performance and private intervals

Goddard's images from this shoot helped define how the young Woking three-piece were seen

David Johansen was a crucial bridge between the glam excess of the early 1970s and the punk explosion that followed at CBGB and Max's Kansas City

captures the pop-art saturation that suited her crossover moment

Keith Richards, Sprinkler Valve Sticker, Satanic Majesties Photo Shoot, New York, 1967 Nancy Spungen preserving the contexts in whichKeith Richards beside a sprinkler valve during the Their Satanic Majesties Request photo shoot, New York, 1967, photographed by Michael Cooper on the elaborate hand built psychedelic set. Photograph by Michael Cooper. Following Cooper's death in 1973, his archive remained largely unprinted, consisting primarily of original transparencies and negatives from the mid 1960s onward. No signed vintage prints of this work exist. This photograph is a museum