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His earliest works are wholly dependent on Ostade
The painting seems to be an autograph 'modello' for Rubens's altarpiece of the Miracles of Saint Ignatius
Although the picture is rejected by Vlieghe as a copy
and is asleep in a golden suit of armour (derived from a drawing by Poussin after the antique)
Figures in the Courtyard of an Old Building Rembrandt van Rijn His earliest works are whollyDusart was a pupil of Adriaen van Ostade and entered the Haarlem painters' guild in 1679, serving as dean of the guild in 1692. His earliest works are wholly dependent on Ostade, but he was later also influenced by Jan Steen.
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