Fusako Kodama 1960-1980 All Ces maisons ont sciemment choisi

Ces maisons ont sciemment choisi de s'affranchir des typologies traditionnelles et refusent toute surdétermination de l'espace domestique

voire à suspendre la démocratie au profit de « gouvernements techniques » subordonnés aux intérêts du capital

and Atelier Big City (Randy Cohen

and the specific conditions of their construction

Fusako Kodama 1960-1980 All Ces maisons ont sciemment choisiBetween agitation and lightness, Fusako Kodama depicts the effervescence of modern Japan. From 1960 to 1980, she captures the atmosphere of places and the energy of people. Movement is constant; disorder occurs at times; gestures are carefree and instinctive: Fusako Kodama captures forward momentum. Her spontaneous photographs summon surprising perspectives where subjects appear slightly out of sync. Between restlessness and lightness, Fusako Kodama