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domesticated and wild
immigration
Four vibrant frames document a public moment of collective mourning in Warsaw
gained greater value over time
Fine Print: Girl at the flower shop. New York, 1958 David Hurn domesticated and wildAfter quitting LIFE magazine in 1954, W. Eugene Smith moved into a shabby loft in New Yorks flower district. Smith described the broken window as the proscenium arch with me on the third stage looking through it, and the whole audience in performance down before me, an everchanging pandemonium of delicate details and habitual rhythms. LIFE published this work, As From My Window I Sometimes Glance, under the headline Drama Beneath a City Window on
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