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It follows a fictional unit as it defends a bridge from insurgents “in a war that maybe isn’t theirs
Theirs was a bond of unspoken understanding — a kind of contentment to be in each other’s company
The following chapters focus on Towell’s time on eastern Donbass—a region of neglected coal miners and de-occupied ruins
His pictures tell stories-and he lets them speak for themselves
Contact Sheet Print: “Bad Weather,” Dublin, Ireland, 1981 Framing:Unframed It follows a fictional unitMartin Parrs unmistakable eye for the quirks of ordinary life has made him a distinctive voice in visual culture for more than 30 years. Known for his use of garish colours and esoteric composition, he has studied cultural peculiarities around the world from Japan to America, Europe, and his home country of Britain. The themes of leisure, consumption and communication have occupied him for much of his career, all of which are explored with a
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