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Patricia Reed
as well as a new conversation between the artist and curator Joanna Zielińska
returning this much-requested publication to circulation
The artist’s book’s layout and dramaturgy are inspired by three seminal performance works—Yvonne Rainer’s choreography The Mind is a Muscle (1968) and Samuel Beckett’s pieces Not I (1972) and Quad (1981)
Decapitated Economies New Patricia Reedintercalations 5 is a book of provocations wherein the reader as exhibition viewer learns that the head, despite its interminable rule over the body, necessarily underestimates the sophistication of corporeal desire when such desire is unleashed in accord with the principles of a general economy. This long awaited collection of carefully assembled contributions explores a wide spectrum of headlessness and its many operational formsranging from the
