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Seun and Egypt 80 cut all four tracks (two per side) in a single take without rehearsal on the second day
Kaidi Tatham
in the words of The Guardian like “Bitches Brew-era Miles entering the dub chamber with a New Orleans marching band – in a good way”
Charles Earland
Ronald Snijders | Natural Sources | (REISSUE) | £25.00 saxophone Seun and Egypt 80 cutDay Dreamer Limited to 100 copies only, transferred from the original master tapes This is the first album I ever released. It is my self portrait in music, recorded and self released in 1977 when I was 26 years of age. I played all instruments via multitrack analogue recording, even though I already had a very good live band during those years. My deepest wish was to do it all by myself. It was based on my handwritten text on the interior of the
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