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it might also be seen as a self-portrait
and an essay by Carol Armstrong that traces compositional polarities and synergies through Frankenthaler’s output of this era
quasi-pointillist dynamism
career-spanning account of Rick Lowe’s art and social practice
Willem de Kooning: Abstract Landscapes, 1955–63 Woodcut it might also be seenThis book was published on the occasion of the exhibition Willem de Kooning: Abstract Landscapes, 195563 at Gagosians former gallery on West 23rd Street in New York. The selection of large scale gestural abstractions by the leading Abstract Expressionist traces a stylistic trajectory that critic Thomas Hess characterized as a sequence from Abstract Urban Landscape and Abstract Parkway Landscape through Abstract Pastoral Landscape. The catalogue
