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Edvard Munch (NO)
so too does Kahn’s prose lead the reader in new and fantastic directions
designers and journalists
JACQUELINE ENNIS COLE
Mick Wilson, On Discourse and the Curatorial Art Edvard Munch (NO)Production of exhibitions and production of discourse on exhibitions. With the paradigm of salon exhibitions, developed some three centuries ago, bourgeois art patrons were moved to transform their experience of an exhibition into words. This incitement to discourse persists as a central component of contemporary curatorial practice, within and beyond exhibitions as singular events. In On Discourse and the Curatorial, Mick Wilson draws out the link
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