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Damien Hirst: Relics and Fly Paintings Aperture and then painted over his

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and then painted over his outlines—a method that eventually led to his adoption of the silk-screening process

The Guitar Man also saw Weyant build on the motif of the dollhouse within and alongside images that undercut their subjects’ attempted composure with conscious awkwardness

it remained unpublished

Bruce Nauman (b

Damien Hirst: Relics and Fly Paintings Aperture and then painted over hisThis book was published on the occasion of the exhibition Damien Hirst: Relics and Fly Paintings at Gagosian, Britannia Street, London, the second phase of Hirsts long term takeover of the space. This immersive exhibition brought together a number of bodies of work, prompting reflections on darkness and death, the past and the future. Among the series illustrated in the book are Relicscast bronze memento mori depicting corpses, skeletons, and

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