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impasto brush marks
harnessing the senses and luring them around the composition into voids and points of tension
Hallard constructs monochromatic and semi-monochromatic images of recognizable geometric forms such as squares and rectangles on paper and aluminum
By adhering to the practice of applying only one layer per day
(r ) evolution 34 oil and collage on wood panel impasto brush marksThis painting is part of a series titled (r)evolution made between 2014 and 2015. It is the second iteration of a series of dot paintings begun in 2006. This process based series was inspired by Adams ongoing interest in music and music theory. It is about pattern, rhythm, and intervals of notes as exemplified by the choice and placement of color. Adams has been intrigued by math and serial systems since her days of graduate school at New England
