Everything Was Beautiful And (Almost) Nothing Hurt Ellen Priest backed with

backed with

coaxing new dimensions of color and texture

These painted objects almost resemble modernist buildings – just on a smaller scale - opening up spaces to explore the ephemeral quality of light within a given spatiality

The shape of the object is a free physical modification from the line crossing sections of Göttin's installative works called Network

Everything Was Beautiful And (Almost) Nothing Hurt Ellen Priest backed withThis captivating photograph captures the essence of New York through a unique lens. Wajdowicz, known for his minimalist and semi abstract approach, relies solely on in camera techniques to craft his images. Archival pigment print, blind embossed stamp and signed by the artist. Limited edition of 9. Shipments are in a hard tube, protected with acid free tissue.