Hagi Dark Cereal Bowl tableware Hand carved in his studio

Hand carved in his studio in South Korea this tray in Walnut wood is covered in the marks of it's making

but my work is never static or fixed and in some ways reflects the multifarious identities of contemporary ceramics- a twenty-first-century hybridization of studio potter and conceptual artist

Innovating traditional craft practices like flower pressing goes beyond methods

Her work evokes a sense of joy humour and nostalgia

Hagi Dark Cereal Bowl tableware Hand carved in his studioA faceted bowl thrown by hand in Akiko's London studio, with layers of dark glaze. Each piece has a unique surface that illustrates the element of chance that is central to her processes. Made to be used. "Today, much of industrial production values consistency, precision and control. My work moves in the opposite direction, embracing variation as an essential part of making. I am currently researching why certain forms of fluctuation and irregularity